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It must be said that other refined movies have gone to these places before.The granddaddy of them all is “Blue Velvet,” the great postmodern Hitchcockian noir that turned pulp sensation into a surrealist high.Gyllenhaal, still ensnared by what happened in West Texas, gets to know a small-town Texas cop, played by Michael Shannon with a mean glint of suspicion that, at first, makes it seem like he’s not much interested in helping this Yankee. Gyllenhaal’s performance goes to a place of real terror and despair, and when the movie flashes back, he, along with Adams, seems younger, possessed by a more vital spirit.“Nocturnal Animals” is on some level a cautionary tale about the false gods that can lead one to make the wrong choices.The leader of the gang is Ray, played in long black sideburns by Aaron Taylor-Johnson, who gives this taunting sociopath a strange kind of depth.
Each time the film cuts back to Adams reading the novel, we’re reminded that none of this may even have happened. The movie then intercuts what transpired 20 years ago between Susan and Edward, who grew up together in Texas and wound up in New York, where they reunited and got married.
We see the sincerity of their love, but also how the worm of professional failure eats away at their relationship — exactly as Susan’s tough-broad Texas martini-swilling Republican mother, played (in a brilliant turn) by Laura Linney, predicted.